Dear Zwanlake fans,
No. 22 begged for her life as she was being executed.
On July 4, 1946, several female Nazi guards from the Stutthof concentration camp were publicly executed in Danzig (now Gdańsk, Poland) after being convicted of crimes against humanity. The executions took place on a raised scaffold before a large crowd, using the short-drop hanging method. This technique was chosen deliberately, as it did not break the neck but instead caused a slow death by strangulation. As a result, the condemned women suffered visibly, with their death struggles — sometimes lasting up to 10 or 15 minutes — marked by twitching and gasping for air. The method and public setting were intended to emphasize retributive justice and serve as a stark warning, reflecting the deep outrage and grief of a society devastated by the atrocities committed in the camps.
This is how it could have been if Rothbart had been the executioner. There is no manual strangulation in this one. Rothbart strangled her brutally to death with his cord, forcing her tongue out. She was TOPLESS and begged for her life. And you can be the witnessing crowd…
Kind regards,
Karen
P.S. Constructive criticism welcome. Leave your opinion in the comment section below!
IMPORTANT: We won’t tolerate vulgar or disrespectful comments! Keep it CLASSY!


Very enjoyable as always. Just wondering was this intended to be what it is? Or is it a cut down version. Still waiting for a blonde girl. I do like that the hands are tied behind her back. Would it be possible to also include the girls clothing being removed and the hands being tied?
Thanks for your purchase and your comment. It’s the full version, not a cut down. It wasn’t intended like that at the time of the shooting, but there was not enough good footage for more. We haven’t found a suitable blonde model yet, but we are still looking for one. Including these scenes is possible, although we don’t consider them very important. We prefer focusing on neck and strangling takes. The rest of the story is up to the imagination of the spectators.
A near-top contender — one that could have stood among the very best.
In this twenty-second visual study, Zwanlake delivers a piece that, for me, ranks just behind the standout twenty-first and twentieth installments. The performer’s beauty is exceptional, immediately elevating the visual impact and placing this work firmly among the series’ strongest moments. Her neck simply tops almost all of the models presented in this endeavor and her breasts are the most beautiful of all the girls!
Yet, despite its strengths, the piece feels notably brief. That sense of brevity leaves the impression of something unfinished, as if a work with all the elements for greatness concluded just as it was reaching its full potential.
As Seneca once wrote, “It is not that we have a short time to live, but that we waste a lot of it.” Here, one might feel that more time would have allowed this installment to fully realize its place among the very best.