#II Zwanlake 脖子和勒死恋物癖视频

5对“#II Zwanlake neck and strangle fetish video”的想法

1. 

   scottmarley2002 说：

   Hi there I really love to see women tongues popping out when they are being strangled with thin rope, please I really love to see more of these videos, crazy PNG fan of women necks..

   5 月 4, 2022 于 10:21 下午

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2. 

   pedrovile 说：

   #II Zwanlake neck and strangle fetish vídeo

   It has been some months now since I started to know more about Karen and her Zwanlake project. During this time, my admiration for her and her genius has only improved to reach legend status!! What once was considered an obscure interest, Karen could transform the neck fetish into a world artistic presentation! This can’t be done by simply repeating a formula that worked in the past; not if you want to enjoy it over and over. This endeavor requires innovation and the constant quest for something new. Something such as … this movie.
   All her actress have top notch beauty although none could match this one. Her absolute beauty can only be matched by the good taste of Karen in making this movie. This remake of Alfred Hitchcock’s FRENZY strangulation of a tie scene is perfection by itself. At the start of the movie, you are struck by the beauty and elegance of the actress that look so well dressed and with superb make-up. This tall model with european origins (possibly germanic) has what I would call the etalon of the neck beauty. It is so long with a slender column of her windpipe and superb adam’s apple also with toned muscles albeit really feminine! You could clearly see the lines that streches from one side to the other of her extended throat and you just wonder that you could sacrifice everything in order to have one minute of pleasure holding that throat in your hands. That is what I would call the epitome of pleasure!
   Karen really tortured me during all the nine minutes of this movie. I love girls with black hair and beautiful blue eyes. And her lipstick only increased even more the beauty! Everytime that Rothbarth streched her neck pushing her chin up, my heart beated faster and I couldn’t hold myself in the chair, I just needed to be there feeling that neck in my fingers. I felt under a spell of her blue eyes that looked so direct to the camera. You could just want to suck that beautiful tongue of hers in your mouth. This experience is something that you have to revisit over and over!
   Sound is also the big innovator here. Sound that brings even more reality into what you see. A young, beautiful girl strangled and trying to cry out for mercy and help and you are the only one to hear! Her strangled cries; her gasps in an attempt to breathe through a lovely soft throat being strangled for you. Thank you, thank you so much for the experience, Karen!

   Reviewed by P. Vilela

   7 月 1, 2022 于 10:28 下午

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   • 

     Karen 说：

     Thank you very much for your purchase and your kind words. It’s great to see that you appreciate the aesthetics of our videos and the beauty of our models 🙂 I hope you’ll watch it over and over again, and that you’ll have many more moments of joy with it!

     7 月 3, 2022 于 5:28 下午

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3. 

   Samson Alexae 说：

   Frenzy was my introduction to strangle fetish, years before I was able to actually watch the movie. I remember being fascinated to the point of obsession with Barbara Leigh Hunt’s gaping, wide-eyed and protruding tongue expression the instant I saw it on the back of the VHS box when I was maybe 11 or 12 years old (far, far too long ago now). That single image — for better or worse — set me on a life long quest to recreate that sense of excitement whether it be through my own writing, photography and video or, now, by supporting artists like yourselves.

   This was an excellent homage to the classic scene and the actress did a wonderful job. I loved your artistic touches with the brief slow motion and extreme close ups; especially the shot where her tongue first extends while the model’s eyes are wide with fear. It’s such a dramatic moment, a turning point in her struggle; as if losing control of her own tongue is a sign that her body is betraying her, failing her, telling her she is going to die. I haven’t seen that moment done this well before. It’s something I believe Hitchcock intended to do, but which was ultimately edited out (the few still frames of extreme close up on her eyes replaced a pan down to her mouth). Congratulations on finally bringing it to life.

   Selfishly, I hope you will revisit Frenzy in the future, and maybe you can find inspiration in other mainstream classics, but I am excited to see what original ideas you might have as well.

   If I could offer some constructive criticism:
   – Be wary of repeating yourself and simply cycling through the same motions with different models. That may sound hypocritical after asking you to consider doing another Frenzy in the future, but there is a point of diminishing returns, both financially and creatively. You did a great job here of reinterpreting the scene and hitting the important marks — tie, eyes, tongue, etc. These are definitely constraints of expectation when you invoke a scene all strangling fetishists know so well, but creativity thrives in limitations. Find little ways to be inventive and unique with each homage.
   – Remember that you’re telling a story and challenge your actresses to take us on an emotional journey with them. As the hands or ligature tighten on her throat, there should be a rising tension in her emotion as well. I would love to see that progression from shot to shot. What is she feeling/thinking when he first touches her? What sort of character is she? Is she angry? Indignant? Willing? Frightened, but plays along to appease her captor? How does her facial expression change as she gets more desperate to breathe? How do her tactics change as each of her attempts to escape fail? What does the climax of the scene look like? If you don’t have dialogue, think of it like a dance. Improvisation can be exciting, but so can intentional choreography — and that can be easier to edit around.
   – Building on the last point, I recognize these are neck/strangling fetish videos — I love them for that reason — but you can cut away to help sell your story. If the model is bound at the wrist, cut to her hands struggling for a second to sell how she’s trying to escape. The focus is always going to be her face and neck, but quick cuts can heighten dramatic tension (is she going to be able to free herself in time?) and hide small inconsistencies in continuity that always happen when the focus is so narrow

   Please take these only as suggestions. I am impressed with what you have created so far and am excited to see how you evolve.

   7 月 3, 2022 于 9:52 下午

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4. 

   Karen 说：

   Thank you so much for supporting Zwanlake, and for taking your time to share your thoughts with us. Your constructive criticism is highly appreciated.
   Although I believe that the only thing that has to be different in every video, is the model. The model, her neck, and her interpretation of the role is the essence of our videos. This might seem boring, but in my opinion it’s the PERFECT way.
   We’ll always try to improve and to meet the expectations of our fans. We’ll absolutely take into account your valuable inputs, and try to take our work to another level 🙂

   7 月 4, 2022 于 7:39 下午

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